iPhotographer Magazine Closing Down

If you subscribed to iPhotographer Magazine (as I did), you probably received a notice today that they will be closing business as of the end of October 2013. There was a detailed explanation in the email about why this step was taken.

I guess now the issue is will Apple refund subscribers partially for the remainder of the subscription not used. I don't know about you, but this makes me a bit hesitant to purchase subscriptions in the future. But I guess this is the chance you take when you take out a subscription to any service or publication.

I've written to Apple to request a refund. I'll be curious to hear their response.

Any thoughts? I'd love to hear them.





Painterly Mobile Art Monday - No. 15

The Flickr Group I started features images edited in a painterly fashion. There are several ways to create painterly images from your photos. There are even apps designed to help: Glaze, Tangled FX, PhotoViva, Artist's Touch, iColorama and Repix are just a few. If you have some other suggestions, I would love to read about them - just leave a comment.

Here is today's selection from the Painterly Mobile Art Flickr Group. We're always looking for new members to join us! Click on an image to see the image on Flickr and discover more of the artist's work.

Frost Bite © Nicki Fitz-Gerald
Frost Bite © Nicki Fitz-Gerald



Painted Coneflower © Firery Broome
Painted Coneflower © Firery Broome

Morning Glory © Irene O'Brien
Morning Glory © Irene O'Brien

Long Distance © Andrea Bigiarini
Long Distance © Andrea Bigiarini

Flatlands © joecubed
Flatlands © joecubed

Blue and Orange © Sarah Jarrett
Blue and Orange © Sarah Jarrett

Fragile Existence © Mike Bowers
Fragile Existence © Mike Bowers

Untitled © Gianluca Ricoveri
Untitled © Gianluca Ricoveri

Waiting in the Wings © Roger Guetta
Waiting in the Wings © Roger Guetta

A Photowalk from St. Paul's to Tower Bridge © Dani Salvadori
A Photowalk from St. Paul's to Tower Bridge © Dani Salvadori

Room for a Bouquet © Roland Boesiger
Room for a Bouquet © Roland Boesiger

Untitled © Aylin Argun
Untitled © Aylin Argun 

1/2 Catrina © Patty Larson
1/2 Catrina © Patty Larson

Flower Porn © Kim Martino
Flower Porn © Kim Martino

To Market © Anne Highfield
To Market © Anne Highfield

Fugitives on the Run © Tuba Korhan
Fugitives on the Run © Tuba Korhan


199 Steps at Whitby © Skip Brown
199 Steps at Whitby © Skip Brown
Secret World © Federica Corbelli
Secret World © Federica Corbelli

Never Grown Up © Erika Brothers
Never Grown Up © Erika Brothers

Untitled © Jane Fiala
Untitled © Jane Fiala

She Could Talk to Squirrels © Rhonda Brynko
She Could Talk to Squirrels © Rhonda Brynko

The Digital Painter © Maarten Oortwijn
The Digital Painter © Maarten Oortwijn

I Spy © Mike Bowers
I Spy © Mike Bowers

Autumn Colours © Gerry Coe
Autumn Colours © Gerry Coe

The voice of the Land 2 © Davide Capponi
The voice of the Land 2 © Davide Capponi

Cyclo - 2 © Claudinedefayartiste
Cyclo - 2 © Claudinedefayartiste

Mail at 252 - a redux © Jennifer Hartnett-Henderson
Mail at 252 - a redux © Jennifer Hartnett-Henderson

The Tree of Life © Bob Weil
The Tree of Life © Bob Weil
Distort Effect iColorama © iColorama App
Distort Effect iColorama © iColorama App

Customizing Tangled FX - Sharing One of My Secret Formulas!

Tangled FX is an interesting app that I use a lot. Several people have asked me about the settings I use. This post will show you the exact settings of one of my custom styles.

First of all it's important to note that when you load a photo into Tangled FX, your photo is shown in a "Preview" Size. To view how the actual finished photo will look you need to tap the Preview button at the top of the app and it will then switch to show the full resolution image with the style applied.

If you use the built-in preset styles you can take an image and get various results - a few are shown below:

Fibers Harsh



Brush Strokes

Swirls

Cartoon
I prefer a more refined look so I have created several customized styles.

Below is one of my favorites:

Geri's Custom 10
To change the settings on Tangled FX to duplicate this style, simply tap the TUNE button in the lower right hand corner and a menu will pop up. Set each slider to match the values as shown below:


In case you are unable to read the values, they are listed below:

Effect scale factor 0.25
Pre sharpen size 7%
and amount 7%
Strokes size 0%
and style Light
Sharpen size 18%
and amount 1%
Smudge size 80%
Post sharpen size 2%
and amount 10%
Color boost -16%
Contrast 3%
Gamma -4%
Hue shift 0%

Tap "Render" to apply the style. To save this as your own custom style simply tap the blue "Save" button and you will be prompted to select a name for your new preset. Play with all of the sliders and save your favorites to create your own custom library of preset styles.

Happy Rendering!

Richard Gray's Great Portraits With Your Smart Phone

I first heard about Richard Gray (@rugfoot on Instagram) from my friend Dilshad Corleone (@italianbrother on Instagram). Dilshad had taken a course in iPhoneography from Richard and raved about all that he learned. I had to admit I was a tad envious that Dilshad had access to such a great teacher in his area (London).

Now, we can all benefit from the teachings of Richard Gray through a recorded version of a recent webinar, "Great Portraits With Your Smart Phone".



2013-10-10 17.00 Richard Gray presents Great portraits with your smart phone from Manfrotto on Vimeo.

For more about Richard, check out my interview with him here.


Painterly Mobile Artist Erika Brothers

Each artist in the Painterly Mobile Art Flickr Group has their own unique style. Today I'm featuring Erika Brothers and one of her favorite images. After reading more about Erika, I would heartily agree with her that she's indeed found her calling as an artist! 

Please visit the group to see more of Erika's work along with that of all of the artists. If you are a mobile photographer who enjoys editing in a painterly style, we'd love to have you join us!


The Artist 
Erika Brothers
Originally from Monterrey, Mexico where our culture is rich in a variety of different genres and parents whose passion involved weekend painting using different methods and visions of blending colors and techniques. Inspired as a child, I pursued my own discovery of projecting my thoughts and images. I started through basic art, career in communications, painting amateur for 10 years, exploring even cloth and printing image designs until I found what I believe is my true calling with App advancement in SmartPhone technology.

Mother of 3 and moving a few times due to my husband's work, I was able expand my optic vision and projection of pictures stories from the different locations we lived. Once hooked, I started investigating the different options on how to transform the pics to reflect my mental thoughts to each art piece, and set myself to no particular form or function - just what comes to me or how I feel as I create each piece. I would like to recognize The iPhonist Group who helped me understand and locate the different apps available, and guided me to the great sites for showcasing my artwork, and enjoy excellent artwork from my fellow artists.  


The Work

Sunflower © Erika Brothers
Sunflower © Erika Brothers



Erika's Commentary
The story behind this particular piece is based on the innocent curiosity of a child exploring in a field of opportunities. The initial photo was taken with ProCamera, next step I used Superimpose to position the image correctly to reflect and orient the main image. I followed by using Snapseed to augment the lighting and colors to provide a series of contrasts. As a final step I used Picfix with finishes in Grunge and Scratches to do the final touches for a vintage appearance to reflect a soft fantasy projected image and bring it all together.


Find Erika: Flickr / Facebook / Instagram

Links to apps mentioned:

ProCamera
Superimpose
Snapseed
Picfx

Investigating the Abandoned with thelongsilence


I'm a big fan of reality shows especially ones that feature singers, dancers, etc. I have noticed a recurring theme. If the person auditioning thinks they're REALLY great, they usually aren't and those that have tremendous talent are normally very humble. Such is the case with the artist I interviewed for this feature. Richard, aka @thelongsilence on Instagram didn't believe me when I told him that HE was one of the reasons I started taking Instagram seriously as a platform for sharing photographic art. He was one of the first people I encountered who didn't take only selfies, food shots and pictures of feet! His gallery inspired me to have a second look at the potential of smartphone photography. 

Please enjoy this very candid interview with a fabulous mobile photographer.


© thelongsilence
5-Star Accommodations © thelongsilence 



Geri:  Please share a bit about yourself.

Richard:  My name is Richard, and I am a Kiwi. I live in the capital, Wellington, and am a database administrator for the revenue gathering arm of the government, Inland Revenue. The equivalent of your IRS. (Yes, feel free to hate me, I'm used to it.) I am married to a very tolerant wife, Justine, and have 4 boys - 10, 7, 5 and 3 - which leave me poor in time and money, but rich where it matters. When I'm not family bound, I will be out somewhere, phone in hand...making a dick of myself taking photos of feet*. My goal is to one day own a DSLR. (*Geri's Note: The feet photo comment is surely a dig at me from Richard, since I told him I don't like all the photos of feet I find on Instagram).


© thelongsilence
4225 © thelongsilence

© thelongsilence
Am I in Tunes? © thelongsilence
Geri:  Is there a special significance to your Instagram name, "the long silence"?

Richard: thelongsilence…You know, I have no idea at all where that came from. I was changing internet service providers at the time and was thinking about new email addresses. I went through several (captainduckpoo, horsemanure - yes it is a theme, I talk a lot of shit) on the way to ending up right back where I started. On the way however, the.longest.silence was one of the addresses and I guess it stuck. As for the meaning of it, I was once asked if it meant death..."the eternal sleep"...and I guess it could. That's what I tell people now anyway. On Instagram I am thelongsilence as thelongestsilence was too long. Shame.


© thelongsilence
Barbed Wool © thelongsilence

© thelongsilence
Flaky © thelongsilence
Geri:  When did you get started with mobile photography?

Richard:  From the first phone with a camera I had, a Motorola V9. My first photo was of Cohen, the day he started playing soccer, age 4. Since then it's something I have always enjoyed. The V9 was replaced by my first smartphone, a Sony Ericsson Xperia X10 mini pro and that is when I really started playing around with images. From there I went through a Samsung S1 (which went for a swim) before my current S2. I started on Instagram the day it became available on the Android platform (April 12, 2012), my first photo being of my socks on our washing line. I'm all class.

Geri:  Do you have a traditional art or photography background?

Richard:  No, I do not have art or photography in my past. In fact, I sucked at art all through school. My elder sister is a photographer though, so maybe it rubbed off somewhat.


© thelongsilence
Blue Reprise © thelongsilence

© thelongsilence
Electrical © thelongsilence
Geri:  Who or what inspires you?

Richard:  Clever people. I look at images on  Instagram and think, "man, that’s cool. How can I do that?". I guess this is my way of admitting that I have never had an original thought. Everything I do is all copied from people far smarter than me.

Geri:  When I view your work it conjures up for me feelings of isolation, abandonment and a certain dark mood.  Is this intentional?

Richard:  Definitely. Although I will photograph anything, anyone, I really enjoy the dead and forgotten places that exist everywhere. I suppose I identify with them. They are secreted all about the place and your eyes slide past without ever realizing that there is something before you that has passed its best before date. They all have stories to tell, and I like to make up details of what they could have been through and what might have happened to them that resulted in them becoming what they are today. In my way, I'm preserving them just that little bit more.


© thelongsilence
Holy © thelongsilence

© thelongsilence
Parked by My Wife © thelongsilence
Geri:  You rarely photograph people. What attracts you to the subjects you photograph? 

Richard:  People never stand still. A house that has been empty for 30 years...that stands still. I found one down Happy Valley Road that has been up on piles for over 30 years. It still has a feel about it that makes you think it could have been something special if only someone had taken better care of it. There is also the thrill of being where you are not allowed. Most abandoned places are behind a fence, through someone else's property, behind a locked door etc. The heart always thunders a little louder when you finally make it inside.


© thelongsilence
Cohen © thelongsilence
Geri:  Do you plan your shoots with a certain idea in mind or just capture what you encounter in your daily life?

Richard:  I never plan anything if I can possibly avoid it. In fact, I got married so that I do not have to plan anything ever. When I get a day off (rare!!) I usually have a place in mind where I want to go, but other than that, I go where my whims and fancies take me. The other morning I was heading for an empty house and on the way there I fell into a river. I ended up miles away taking photographs of a cemetery instead while I waited for my jeans to dry. C'est la vie.


© thelongsilence
Red © thelongsilence

© thelongsilence
Rose © thelongsilence
Geri:  I'm excited to interview an Android photographer because I know nothing about your world.  Please share a little bit about your editing process and some of the apps you prefer for getting your "grunge" look.  

Richard:  I have dipped a finger into the world of iOS...and then withdrew without knowing what it was I had been doing. Over here in Android land we have the 'share' button. You can open the gallery (equivalent of your camera roll) and then 'share' an image with a program. After making the required changes, you can then share THAT image with another program and so on. Before you know it you are down in the 15th level of inception and it takes 20 minutes of hitting the back button (we have three buttons, not just one) before you get back to the home screen. You are left with pretty awesome images though. My most used are HandyPhotoPhoto Editor, PicsArt, PicSay Pro, PicsPlay, PixlrExpress, PS Touch, Touch Retouch, Snapseed and #Square.  I have more, but these ones tend to be used more often. This being said....I do use Rays on my son’s iPod. I cannot find an equivalent on the Android platform.


© thelongsilence
Row Forest © thelongsilence

© thelongsilence
Storage © thelongsilence
Geri: Do you have any interesting stories about any of the places you've photographed?  (Some of them look a bit eerie to me!)

Richard:  Erskine College was interesting. It is a girls' Catholic School that was built in 1905-06 by the Society of the Sacred Heart and closed in 1984. Since then it has been inhabited by pigeons. I walked in one day and asked a groundskeeper if I could go in and take some photos, as you do. His response was, "Sure, as long as you know it is an earthquake risk." Like that was going to stop me. In through a broken window, up and down the four stories of echoing silence, out on the third floor balcony and down an external fire escape. It was a freaky place...it was dark, dank and dripping in some areas; beautifully lit in others through floor to ceiling windows that were still intact and completely covered in pigeon shit. And dead pigeons. And live pigeons, that sound exactly like someone in boots who is trying to creep up on you. Majestic and morose all in one.


© thelongsilence
Pack o' Pigeons © thelongsilence
Geri:  On Instagram you're listed as a proud member of the Royal Snapping Artists?  Who started the group, and what is the common denominator for the members?

Richard:  Royal Snapping Artists is a collection of groups that specialize in particular areas. I’m part of Precious Junk and Dark whose themes are abandoned / forgotten / derelict and dark respectively.  It's a bit of an honor for me as it recognizes you have a talent in a particular area and that there are other people interested in showcasing your work. There are some amazing people in the Royal Snapping Artist families. Personally I don't feel qualified to be a member, but I am. As well as that, I'm a Nexus Soldier, the Nexus Army being an equivalent group to the RSA,primarily focused on the abandoned and derelict.


© thelongsilence
Embarrassed © thelongsilence

© thelongsilence
Sunshine Yellow © thelongsilence
Geri:  Have you ever exhibited your work?  If not, any plans to do so?

Richard:  Yes!  Right now in fact. I was asked by Leon Williams (@apped_as) if I would submit a couple of head/shoulder shots for a portraits exhibition he is holding. So I did! It’s currently running here in Wellington (if you make it over, I can put you up for a couple of days). I have no idea how many people are going to see it, probably not many, but that doesn't worry me at all. It’s a victory just to be asked to participate.

Geri:  Is there anything you'd like to add?
Richard:  Not really, other than thank you for choosing to interview me. There are millions of Instagram users out there that you could (should) have chosen, each of them very good in their fields. Me? I am just a bit player.


© thelongsilence
Stairway to Heaven © thelongsilence
Find Richard: Instagram


All images in this feature are copyrighted property of Richard @thelongsilence published on Art of Mob with the consent of the artist. 



Featured Mobile Artists