Showing posts with label The Whole Story. Show all posts
Showing posts with label The Whole Story. Show all posts

The Whole Story - Jane Schultz

Better known as @phot0bug on Instagram, Jane Schultz is the photographer featured in today's edition of The Whole Story. If you'd like a chance to be featured, just tag your mobile photos with the hashtag #the_whole_story on Instagram. 


The Photograph



You can’t stop looking me, staring at me 
Be what I be, you can’t stop looking at me 
So get up out my face, 
You can’t stop clickin at me 
Writin’ ’bout me, tweeting ’bout me, 
I can’t stop, it’s what I gon’ be, 
My swagger’s in check 
(The Real California a Milk Song -Cher Lloyd) .



The Whole Story by Jane Schultz


This image is part of a collaborative series with my friend Adam, @atmytime. The series concept was to bring together our very different styles to portray cows in unlikely places, something that made us break out in laughter when we first thought of it. As an East Coaster, I supplied the abandoned BBQ backdrop. My Texan collab partner supplied the angus with edits. I then added wings, blending and painting. And so this exemplifies the edit process. I added textures and painterly touches, including self made textures, using numerous apps including Procreate, Sumo Paint, aremaC, and ArtRage. My finishing touches involved Filterstorm and a set of lyrics. This image was truly a collaborative process, from the combination of images to the editing and conceptual elements.

The Photographer


© Jane Schultz
Jane Schultz - An intellectual property, wife, and mother, residing in the East Coast of the U.S. Over many years, I have been immersed in a passion for photography and music. With no formal training in art, I am self-taught in photography, moving from DSLR work to primarily mobile imagery. I have no set style, but let the creative process take me and my image wherever it goes. At times, the process becomes like a dreamscape, going wherever my inner reach takes it and pouring out what can't otherwise be said.  Mobile artistry has provided me with a creative medium to lose myself in, and a wonderful opportunity to engage with many talented artists. I administer the ig_artistry feed on Instagram, which seeks to foster originality and emotional content in art.


Find Jane:  Instagram / Instagram 2 / EyeEm / iphoneart / Flickr


The Whole Story - Photo by Elena Bouvier

Have you ever encountered someone like Sybil? Have you ever wanted to know more? I am pleased to feature this beautiful image and story by Elena Bouvier.

For a chance to be featured just tag your Instagram mobile photos with the hashtag #the_whole_story.


The Photograph

::Sybil:: © Elena Bouvier
::Sybil:: © Elena Bouvier


The Whole Story by Elena Bouvier


:: Sybil ::

I heard her, before I saw her. 

Her eyes were closed 
her song moved through me 
like a bow across a cello.

Finally, she felt me watching 

and listening, smiling softly. 
She returned the smile 
and I asked what the tune was,
"My heart song".

I extended my hand,

I'm Elena, who are you?
She took my hand with both of hers,
warm and content.
I'm Sybil.

Sybil, it's a pleasure to meet you.

Do you have somewhere safe to go?
Oh baby, I've got lots of places.
Don't you worry 'bout me!
I've got the streets in my bones.

I haven't seen Sybil

since October 9. 
Hopefully, she went 
somewhere warmer.


Sybil is part of the portfolio "Anonymous America 

:: Anonymous America ::


(From the mind of a documentarian and the heart of an artist.)


Born out of haste, the desire to record a fleeting moment, I made my first street candid, Help Me, with the very shallow-focus Hipstamatic Tinto1884 lens reminiscent of plastic cameras like Diana and Holga. Enamored with the small circle of clarity directing the viewer, challenging the viewer, I began to deliberately use this lens for street scenes.

Initially, I believed this portfolio was about giving voice to those living on the edge of society, the invisible Americans. The homeless, the addicted, the veterans, the mentally and emotionally unstable; the people encountered every day asking for help, or simply seeking relief in some quiet corner.
I recognize now that these images are more than this; they are examples of how we choose to see the other, who we choose to see with clarity and respect--and who we choose not to see.



The Photographer

Elena Bouvier
Elena Bouvier - I am a documentarian and storyteller, an editorialist and voyeur. Photography is the constant that ties my past to my future. It is an action; a way of being and thinking that informs, distracts, consumes and enriches my experience of this life. It is a habit, a process so familiar that it sometimes feels like muscle memory. I push the shutter to document, to collect with clarity the moments and things that will be transformed by time, memory and sentimentality. Often, my images strike me as visual metaphors of where I was emotionally when I physically made the image.

I am a free-spirit who has cobbled a career from painting murals, gardening professionally, hosting and producing a lesbian feminist radio program, book conservation, as well as editorial and free-lance photography. I have a BFA in photography from Moore College of Art and Design and an MFA in Book Arts and Printmaking from the University of the Arts. I was also a Fulbright Fellowship recipient to Germany.

Find Elena:  Website / Instagram / Backspaces / Flickr / Fine Art America


The Whole Story - Photo by Halil Yalçin

Another installation in The Whole Story series by Halil Yalçin. You can view Halil's first featured image here.

For a chance to be featured just tag your Instagram mobile photos with the hashtag #the_whole_story.


The Photograph



© Halil Yalçin
© Halil Yalçin



The Whole Story by Halil Yalçin


During our weekend trip, my family and I were losing ourselves in the crowd of Istanbul. Mosques, seagulls, blue Bosphorus, small fishing boats were moored to the shore which provided such beautiful feelings for us. 

In the crowd, I noticed a man. A beer in his hand, the cigarette on his lips, he looked around the surrounding area. While we were rushing through our trip, I thought that he really enjoyed the life. At that moment a verse of a poem came to mind. 



“Not living,

This rushing will kill me” (1)

I smiled. Our surrounding area was so nice but, we did not actually get a taste of it. That  man was doing it. He was listening to Istanbul, he was watching Istanbul through the smokes of his cigarette. Perhaps he is a poet. He left himself to the mood of Istanbul. I'm sure. Poet Orhan Veli Kanık (2) had done the same thing in the 1940s. He had purified himself from the everyday hustle and bustle in the same air. "How magnificent, I'm in Istanbul and I'm not reading, I'm living in a poem." I said to myself. Yes, I did not have my verses, but I could take photographs. 

"A picture is the poem without any word" 

I love Hipstamatic apps, I tried taking a photo with my favorite combinations. Then, I remembered the polaroid of Diego Uchitel. I thought I'd reflect images of 1940. Thus, I could show Istanbul from the eyes of Orhan Veli. I selected the combination Uchitel 20 and John S for creating the grainy, nostalgic image. The images reminded me of the poem of Orhan Veli.

Fine Days (3) 

On this kind of day I resigned
My job in 'Pious Foundations'.
On this kind of day I started to smoke
On this kind of day I fell in love
On this kind of day I forgot
To bring home bread and salt
On this kind of day I had a relapse
In my versifying disease.
These fine days have been my ruin.

(Translated by Bernard Lewis 1982)


The Photographer

My name is Halil Yalçin  I was born in Milas, a lovely small Aegean town. I have added a wonderful marriage and a very beautiful girl into 50 years of my life. I am a mechanical engineer and I work as a Chief of the Plant Projects in an Automobile Factory in Turkey. In my free time I enjoy experimenting with digital photography using my iPhone 4S.

My passion for photography emerged when I was studying at University. My special field of interest is History of the Art of Photography. Especially I like working on the experimental studies of the 19th century photographic technique and I am in preparation for a book about it. 

My wife and my daughter surprised me by giving a great present for the celebration of my birthday last year. This was an IPhone 4S. After discovering the amazing works of the iPhone, my approach to the mobile artistry was totally changed. I have started to use Instagram for sharing my photos. It is my greatest passion now.


Find Halil:  Instagram 


The Whole Story - Photo by Joel Adam

This week's image is by the very talented Joel Adam. This is Joel's second Whole Story feature. His first can be viewed here. 

For a chance to be featured just tag your Instagram mobile photos with the hashtag #the_whole_story.


The Photograph


I'm Not Sleepy © Joel Adam
I'm not sleepy © Joel Adam


The Whole Story by Joel Adam


This photo was taken with ProCamera using it's timer feature.  I took two shots with me in different positions and masked/layered through Image Blender.  I then used iColorama's Shatter brush #33 to paint across the head and neck.  Snapseed was used for the "grunge", and Mextures' grain layer "1970". Finally the image was made black and white using VSCO Cam's "X3" preset, along with some slight sharpening, and fading.   After completion it reminded me of someone who just crossed paths with The Headless Horseman, hence the title "I'm not sleepy".  Kind of a play on words with my Instagram username "asleepundercolumnsovlight".  


The Photographer


I'm originally from Illinois but now reside in Louisiana with my wife and son. By day I'm a logistics coordinator for the US Army, and a mobile arts enthusiast the rest of the time. I've always been in touch with the arts in one form or another, mostly culinary and music, but it wasn't until I purchased an iPhone that I really developed a passion for mobile artistry. My work has been featured on many curated mobile photography sites and I was fortunate enough to have it displayed in the 2012 LA Mobile Arts Festival. 





Apps Mentioned:



The Whole Story - Photo by Crystal Spellman

Here's another photograph in The Whole Story series. I'm so glad I asked Crystal about this image because the story is even more interesting than I imagined. I have a feeling the subject of this photo will be talking about this shoot many years from now. You may know Crystal as the very talented and popular @faithmichael on Instagram.

For a chance to be featured just tag your Instagram mobile photos with the hashtag #the_whole_story.


The Photograph




The Whole Story by Crystal Spellman


Last spring I had the pleasure of spending an entire weekend in the woods with everyone I love most in the world. One by one I led each of them into a small clearing behind our campsites for a mini-portrait session. Each of us was in the midst of some sort of life transition so it is interesting for me to look at these pictures and see these things reflected somehow.

This image was shot with Hipstamatic using the Tinto 1884 lens, Claunch 72 Monochrome film and the Jolly Rainbow 2X flash. I tuned the image in Snapseed completely desaturating the image, and adjusting Ambiance down, Brightness down, and Contrast up, and white balance (Warmth) +1. Finally I cropped out the border (from Hipstamatic). I then made a few variations in Picfx with the film filters. After this I took the original into Image Blender and began layering the variations, and saving, and layering some more until it felt about right. Finally I brought the image back to Snapseed for a final tune and white balance adjustment.



The Photographer


I am a registered nurse with a fine arts background.  These are two very different parts to my brain and it is through mobile photography that I have been able to reconcile them.  To do either I must be totally present, and committed to the art of observation. In the last year, using my iPhone to make pictures has become one of the most cherished parts of my day. 







The Whole Story - Photo by Brett Chenoweth

When I saw this image by Brett Chenoweth, I figured there must be something more to this than just the convergence of lines  and an empty chair. The story didn't disappoint, as you will see below. 

For a chance to be featured just tag your Instagram mobile photos with the hashtag #the_whole_story.


The Photograph


© Brett Chenoweth
Once Upon a Time, 1969...© Brett Chenoweth


The Whole Story by Brett Chenoweth


My daughter went to Montessori in the basement of a large building constructed in the 30's. On this particular day I was very early picking her up from her after school yoga class. I found myself in a part of the L-shaped hallway where I hadn't been before. A little waiting area contained some old furniture. I took in my surroundings while waiting for her to come down the stairs. the environment brought me back to another time, a time when I may have been waiting for my parents in such a place. 1969. I was five then. My daughter is five now. "Once upon a time I was as you are now." 



The Photographer

© Brett Chenoweth
I am a freelance artist, teacher, mother/father to my child and NEM founding artist. Creating and making stuff is my passion - I have been a working artist for over 25 years; an abstract painter for most of my art career.

Had to give up the studio for financial and single parenting reasons over two years ago. Stopped dead for several months then began drawing again. While taking photos for source material, I rediscovered photography (I was a photo major in art school). Soon after, I got my iPhone...meanwhile, working to create an online presence and getting my work back out into the world.

All this led me to mobile photography/art which is now my primary medium. An iPad allows me to mix drawing, painting and photography together with ease and it is taking my work into new directions. Also the perfect studio for a single parent!

I live in the midwest United States with my daughter and dog.



Find Brett:  NEM / EyeEm / Flickr 


The Whole Story - Photo by Paula Broom

Some photos fill me with awe due to their beauty, some amuse me and others like the one I am featuring today move me deeply. My emotions were raw the day I viewed this for the first time, but maybe because it was the 13th anniversary of my own father's death. Please read on to discover The Whole Story behind this very touching photo.

The Photograph

Holding My Father's Hand © Paula Broom
Holding My Father's Hand © Paula Broom


The Whole Story by Paula Broom




My father, Geoff Broom, was Devonian, a farmer, father of three grown children and grandfather of six. In his later years, when he retired from dairy farming, he reinvented himself to become a countryside steward under the auspices of Natural England and their EU environmental stewardship program for farmers. I was devoted to him, and it was unwittingly he who inspired me to pursue an environmental masters, which, in spite of everything, I very recently finished (after five long years!). I regret that I will never be able to pursue my dream of working creatively on an environmental project with my father, as I had long envisioned.

Dad's passing was such an awful, emotionally raw and surreal time for us all. The whole affair was doubly horrible as it stirred up, certainly for me, my husband and children, all the residual fear and emotions of my own bowel cancer in 2011 (right back when I started to use Instagram: you could say Instagram helped me though it somewhat - but that's another story.) Since I live in Australia, I had to head back to my home county of Devon in the UK. I had no idea that his passing would come so quickly, but I knew it was inevitable. Dad was only diagnosed with pancreatic cancer towards the very end of July - he died 26 days later, aged 75. I was lucky then to make his bedside for his last 5 days in a hospice.  Sadly the disease was so far gone at that stage that I can't say it was exactly quality time with him, but I got to hug him and hold his hand!

I can still hardly bear to look at this photo, or the others taken during that time - I have to scroll pretty fast through that part of my Instagram gallery: in a weird way my emotions are even more raw now than they were at the time . That is probably due to the shock subsiding somewhat, and the horrible reality of his absence sinking in. He was still just conscious when I took this photo, but only for a few more hours. It's funny: Dad was well known, both within and outside our family, for his huge hands (being a farmer and working the land all his life probably helped, I reckon) but I realized at his bedside that I didn't actually have a picture of them.  Sadly, he was extremely emaciated prior to passing away and this is evident in the photo.


I had a big response to this shot:  I am amazed at how much an image can say without words, as well as how much emotion they can evoke. I found some solace in photography at the time but it has really taken almost four months for me to get my mojo back. My main source of solace came from people, from family, especially my brothers, from  friends and surprisingly from strangers, genuinely outpouring their comfort and support for us during that time. Pancreatic cancer is one of the worse and I am relieved ultimately that my Dad didn't have to suffer for long. I am also aware that through this sad time, I have grown as a person and learned one of life's hard universal lessons. The people we love are not ours to keep, but are here for us to truly love and cherish for a short time. Death and dying, grief and sorrow are ultimately our collective destiny: unique to each of us, yet universal in nature. Our shared pain and empathy are part of what it means to be human, but while we may grieve in solitude, in sorrow we are never alone.


This photo was shot with the native camera of my iPhone 4S and edited in Snapseed, which tends to be my "go to" app for editing.

The Photographer

I'm a mother, environmentalist and an artist living in Sydney. I used to be a painter/sculptor but more or less gave that up to do something more meaningful; last month I finally completed the Masters in Environmental Management I've been pursuing part time for five long years. During that time I discovered the iPhone camera and Instagram and reinvented myself as an iPhoneographer. I've had a couple of nice accolades such as being chosen via Instagram to be in the Wall of Dreams of the Mobilepixation show in London last December and having one of my images picked, again from IG, for a mention in Dan Marcolina's Mobile Masters e-book early in the year. Also during this last year I started researching and teaching on an art and environment field trip course through the College of Fine Arts for my university.

So surprise, surprise, although I was going to give up art and change direction when I started my environmental learnings, it turns out that things have merely come full circle and I find all my interests converging. I had hoped to make some artwork with my father around his environmental stewardship on the farm but sadly I  missed out on that. I'd still like my artwork to engage more with the audience on ecology, the biosphere and life on earth in general - and I'm currently working on doing just that!


Find Paula:  Instagram #1 / Instagram #2 / Twitter / AMPt / Blog


Geri's Note

I don't normally comment on the posts in this series but I really connected with this story. As mentioned earlier, my own emotions were stirred partly because I just passed the 13th anniversary of my own father's death - he was also 75 and died of cancer too. I sat at his beside and held his hand and only wish I had a photo to help remember that moment. I want to thank Paula for trusting me with this story. I know how fragile we can be after experiencing a loss and I appreciate the confidence she showed in me in presenting her father's story in a way that hopefully honors him. 


The Whole Story - Photo by Pamela Sweda

I have developed some wonderful friendships through social media. On Instagram I have even dubbed several of my female friends "sisters", and I'm about to introduce you to one of them. Pamela Sweda has become a very dear friend that I've never met! I hope one day our paths will cross, but in the meantime I will enjoy her beautiful images and be lifted by her sweet spirit which always shines through! Keep reading to discover The Whole Story behind this powerful image.

For a chance to be featured just tag your Instagram mobile photos with the hashtag #the_whole_story.

The Photograph

Absorbing the Light © Pamela Sweda
Absorbing the Light © Pamela Sweda




The Whole Story by Pamela Sweda

The Whole Story
This is an image of my dear friend Dixie from Tennessee who had just arrived in Connecticut for our long-planned October road trip through New England. She had never been this far north and I was anxious to show this southern girl the autumn beauty of the Northeast while it was at its peak of glory. After settling in for her first night at my home, I left her on my back deck to attend to the dinner preparations and after a few minutes I glanced out of my kitchen window to see her enveloped in the afternoon light. I quickly grabbed my iPhone and rushed out the door to capture the moment and said to her, "Dixie, don't move!" I then proceeded to snap a few pics of her in this same spot where I often sit to watch the sun set in my rural backyard. Since Dixie and I often remark on the similarity of our appearance, I was immediately struck by the familiar, contemplative position she was assuming...how alike we are in so many ways, so it came as no surprise that people mistakenly think this is an image of me. I now look to this photo with great love as it represents the profound friendship with my beloved soul-sister and documents the beginning of our memorable autumn adventure.

I shot this image with ProCamera, fine-tuned in Snapseed and then used the spray tool in Repix to soften the background. I then brought the image to Romantic Photo which added some drama to the light, but also required another visit to Snapseed to pump up the color a wee bit. iColorama provided the subtle texture.


The Photographer
© Pamela Sweda
Pamela Sweda - After spending years as an artist and art teacher, I was introduced to iPhoneography by a friend in 2012. It immediately became an addicting passion that caused me to pack up my paints and brushes and focus on this new art form with intense delight. All sense of time evaporates when I'm working on a photo and I become joyfully lost in the process of creation. Connecting with the many talented and inspiring photographers on Instagram and Flickr has been a beautiful adventure of discovery that brings to me a new and refreshing way to express my need to create art and will undoubtedly continue to evolve as the years unfold.

Apps Mentioned:

The Whole Story - Photo by Dionisis Kosmatos

This week in the U.S. we are celebrating Thanksgiving. This is a holiday that tends to focus around food, family and football. Since family plays a HUGE part of this holiday, I think it's appropriate to feature this wonderful image by Dionisis Kosmatos and share The Whole Story behind it.

For a chance to be featured just tag your Instagram mobile photos with the hashtag #the_whole_story.


The Photograph


© Dionisis Kosmatos
© Dionisis Kosmatos


The Whole Story by Dionisis Kosmatos

This is my mother in the kitchen of my family house. She suffers from Parkinson's disease and because of this, it is very difficult for her to move. The only thing she does everyday for the whole day is knitting. And she does it with persistence and patience as it's very difficult to make the fine moves that knitting needs. It hurts me when I look at her because she was a very strong and active woman, the person that could solve every problem in short time and effectively. And now she struggles to do things that we take for granted such as to speak or eat. When I look at her I am thinking what she thinks, what she feels, how much patience she has.....
All I know is that she is my hero because despite all these difficulties she struggles to do the only thing that maybe reminds her of the good old days.


The Photographer
Dionisis Kosmatos- I was born in Kefalonia in 1971, a small Greek island but now I live in Athens, where I work in a hospital. I study interior architecture and design by distance learning. I love cinema, reading, painting and of course photography, especially black and white.
As regards to my relationship with photography, I have always liked it. I still remember when my father gave me my first camera which he had found, and wanted to learn more. So around 2003, I took lessons in black and white photography for 8 months, of course I'm talking about analogue photography. The most important thing I learned wasn't the technical issues but the fact I was introduced to the masters of photography such as Henri Cartier-Bresson, Arbus, Atget, Evans, Frank, Kertesz, Lange, Winogrand and so many others. After the end of lessons, I used to take pictures with a Pentax camera but the cost of development was too high and I stopped until I bought my iPhone4 two years ago. All photos are taken on iPhone and edited with Snapseed.

Apps Mentioned:


Find Dionisis:  Instagram 




The Whole Story - Photo by James Neame

James Neame is one of my favorite street photographers on Instagram, in fact he contributed to "Tips From Ten - Street Photography" earlier this year.  Keep reading to find out The Whole Story of "The Lady and the Tramp and the Baby".

For a chance to be featured just tag your Instagram mobile photos with the hashtag #the_whole_story.


The Photograph


© James Neame
The Lady and the Tramp and the Baby © James Neame


The Whole Story by James Neame

For this photo I happened to notice the homeless guy standing in the rain watching the televisions in the shop window. I thought this was an interesting moment and showed the power of the moving image over us weak humans! So I lined up the shot and this lady appeared, looking unimpressed at this poor guy, which added a bit of social commentary to the image. During the editing process I noticed the baby, staring in at the televisions as well, which kind of brought this little scene full circle. A bit of good fortune goes a long way sometimes! 

As for editing, I try to keep it minimal these days; I want the photo to work because of the composition and subject, rather than how it's been post-processed. I generally don't wander outside of Snapseed - crop to square, tweak the brightness, contrast and saturation if required. Maybe lay a vignette in the corners and sometimes one of the vintage filters works to accentuate the image, but that's about it! 


The Photographer
© James Neame
James Neame - I've been interested in photography for about six years now, the usual attempts at landscapes, sunsets and some architectural compositions. It was only when I downloaded Instagram that I started to get into the whole street photography genre. This was a new and fascinating world to me, and once I'd started following the likes of Ian (@iangarrington), Dilshad (@italianbrother) and Patrick (@candidcameraman) I realized this was the style I wanted to pursue. Various books and other research duly followed!

Until recently I was playing around with the composition of basically two-dimensional pictures, with a lone figure properly placed to add to the overall effect (the well practiced "peoplewalkingpast....." tags started, as far as I know, with my #peoplewalkingpastdoors). These days I'm more interested in trying to capture a story-telling moment, although I think this is a very difficult thing to do. Hopefully practice will make it easier! I really admire those who can portray humour, sadness or really any distinct emotion in their photography; Bryan Stoke (@bstoke) and Elizabeth Huey (@elizabeth_huey) spring immediately to mind as newer discoveries for me.

Apps Mentioned:


Find James:  Instagram / Tumblr / Facebook


@dadseyeview on Instagram

The Whole Story - Photo by Michael Manza

Photos for The Whole Story series are chosen from images tagged on Instagram with the hashtag #the_whole_story.  However, sometimes I see an image that is so interesting that I contact the photographer to find out more about it. That's exactly what happened with today's photograph by Michael Manza. Michael was happy to oblige. I was surprised to find out he works in the entertainment industry and has contributed to several of my favorite films! You never know who you're rubbing elbows with online!



The Photograph


Harlequin Girl by Michael Manza
Harlequin Girl by Michael Manza


The Whole Story by Michael Manza

My Saturday morning began with an invitation to join friends for the day and explore Fort Langley, BC. The plan right from the start was to take (or what we hoped for ) some great photos. It was a cool, overcast fall morning with a little bit of fog. The town village was bustling with crowds, both visitors and locals. Apparently, it is like this every weekend year-round. I can see why.

Already, by this time I had taken a bunch of pictures and then I noticed a little store called "Cranberries Naturally!" To give you a tiny bit of history, this area is well known for their cranberries and recently celebrated a cranberry festival. I'll have to remember that for next year.

Getting back to the story. I opened the store door and almost immediately upon entering... I noticed "her" on display, sitting in a bathtub. So beautiful, already posing as if she had been waiting for her photo shoot. Right at that instant, I was mesmerized with her and just had to take her picture. After receiving permission from the store owner to take her photo, first, I eagerly snapped photo after photo, hoping to get something I can eventually work with. I did end up buying some very delicious dried, candied cranberries and by doing so I ended up getting a few more minutes with her before I had to go.

I hope you are as captured by her beauty, like I was.

Apps used for this image was 6x7 for iPhone, Snapseed for detail, tuning and toning. For texturing, PhotoWizard, PhotoToaster, Mextures, ScratchCam and Picfx. Finally, Superimpose to add all the wonderful layers together.


The Photographer
My name is Michael Manza (AKA: Fixit_inPost). A Canadian, a Visual Effects Artist and an iPhoneographer. I like to think that my style is like an actor who doesn't get typecast. When working on a photo, my instincts and heart take over resulting in something different every time.

Originally, a graphic artist by trade but I have been doing art since I was a little kid. For the past 18 years, I have been in the entertainment industry working on feature films as a Lighting Technical Director. Some of these extraordinary films included are: The Lord of the Rings trilogy, Fight Club, Shrek and many, many more.

My passion is photography and more recently mobile photography. I have been chosen featured Artist of The Day on iphoneart.com 3 times in the past year. Also, I have had several photos published in popular mobile photography sites.

All work is 100% shot using an iPhone and edited on either my iPhone or iPad only!


Apps Mentioned: